marketing interactive

LinkedIn picks new global creative agency

LinkedIn has appointed McCann as its global creative agency of record. In a statement to MARKETING-INTERACTIVE, a LinkedIn spokesperson said, “We are working with McCann as we continue exploring agency collaborations to engage our members and customers in more creative and imaginative ways.” Media reports note that the appointment comes as LinkedIn looks to expand its agency partnerships to drive more innovative member and customer engagement. Don’t miss: LinkedIn hands global media duties to Publicis Media The appointment also follows two recent changes in LinkedIn’s agency lineup. Most recently, it handed its global media duties to Publicis Media. As the chosen network, Publicis Media will handle the platform’s media planning and buying effort.  A month earlier, it appointed R/GA as its global strategic creative agency for LinkedIn Ads.  MARKETING-INTERACTIVE has reached out to McCann for more.  The new moves follow Jessica Jensen’s appointment as LinkedIn chief marketing and strategy officer earlier this year.  In her new role, Jensen will lead the team responsible for global marketing, brand and corporate strategy, said LinkedIn.  Prior to LinkedIn, Jensen served as the CMO for Indeed where she was responsible for brand, communication, product and acquisition marketing globally.  Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond. Related articles:  LinkedIn’s Helen Lee departs after three years in agency partnership role  LinkedIn ramps up video ad tools, launches First Impression ads and CTV upgrades for B2B  LinkedIn identity mix-up post sends Piyush Gupta’s mentions soaring online  source

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Xiaohongshu penalised by cyberspace authority over ‘trivial’ and 'negative' content

The Chinese cyberspace authority has summoned and penalised Chinese social media platform Xiaohongshu, over its “trivial” and “negative” content that allegedly “harms” the online ecosystem. The Cyberspace Administration of China (CAC) (國家網信辦) said in a statement that Xiaohongshu failed to fulfill its responsibilities for managing information content, as its hot search list prominently featured several entries related to sensationalised personal updates and other undesirable information, which harmed the online ecosystem. The authority has taken action against Xiaohongshu, issuing a regulatory talk and an order for rectification in accordance with the “Provisions on the Ecological Governance of Network Information Content” (網路資訊內容生態治理規定) and other relevant regulations. “We will continue to focus on prominent issues related to violations that harm the online ecosystem, urging website platforms to fulfill their primary and social responsibilities and effectively maintain a clear and healthy online space,” the statement reads. In response, Xiaohongshu said in a statement that it sincerely accepts the situation, learns deeply from the lessons, and is committed to implementing the necessary rectifications. To address the CAC’s requirements, the platform promptly established a rectification task force aimed at promoting the ecological governance of the hot search list and enhancing its management capabilities. “We will take this as a warning under the guidance of the cyberspace authorities, learn from it, and diligently fulfill our responsibilities for managing information content and our social responsibilities. Meanwhile, we will humbly accept supervision from our users and public opinion, and actively work to maintain a clear and healthy online space,” the statement reads. MARKETING-INTERACTIVE has reached out to Xiaohongshu for a statement. Although the authorities did not identify the celebrity involved, some Weibo users speculate that the incident might concern Chinese actress Zhao Lusi. She has recently made frequent appearances on the hot search list on Xiaohongshu due to a dispute regarding the termination of her contract with her management company. Zhao recently cancelled her Weibo account, which had over 30 million fans, and joined Xiaohongshu, where she frequently live-streams. According to HKET and Sing Tao Headline, she became the platform’s first “mega-influencer” to surpass 20 million followers, breaking records with over 35 million views across four live streams and gaining nearly two million new followers. Coincidentally, a number of mainland media outlets criticised in mid-August that Xiaohongshu was promoting content related to Zhao across the platform, claiming that the continuous pop-up notifications over several days severely disturbed users. Take your brand to new heights with cutting-edge AI strategies, innovative technology, and data-powered experiences. Don’t miss Digital Marketing Asia 2025 in Hong Kong on 20-21 October, where 200+ marketing leaders will explore game-changing trends, proven successes, and bold ideas shaping the future. Related articles: Xiaohongshu emerges as key research tool for Hong Kong consumersXiaohongshu refreshes brand identity with new campaignHow HK creators can craft lasting content on Xiaohongshu source

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Audi transforms engine roars into sonic symphony

Audi UK has unveiled a new campaign with BBH London that transforms the roar of its RS models into music. Titled “Engine symphony”, the tactical push taps into the end of the classical music season by reimagining horsepower as harmony. To bring the idea to life, the brand enlisted a composer to transcribe the sounds of Audi RS engines into sheet music, blending performance with artistry. The 50-second spot opens with shots of the score before showing the composer at work, capturing the engine’s acoustics. It then transitions to photographs of the sheet music displayed across out-of-home sites. The creative was rolled out as an OOH activation, reframing the vehicles’ distinctive sound as a symphonic experience rather than mechanical noise. Don’t miss: Audi F1 Team and adidas team up for high-performance style on and off the track   MARKETING-INTERACTIVE has reached out for more information.  Audi is not the only carmaker leaning on music for storytelling. In June, BMW launched a global campaign spotlighting its central vehicle control unit, the “Heart of joy”, led by an unlikely star: a waltzing octopus. Titled “Octowaltz”, the film features the creature gliding through the ocean in a precisely choreographed underwater dance. The hypnotic sequence serves as a metaphor for the precision and harmony delivered by BMW’s system, which integrates core functions including drive, braking, energy regeneration, and partial steering into a single control unit. First unveiled in April and previously showcased at Auto Shanghai as part of the BMW Vision Driving Experience, “Octowaltz” now takes this innovation to the masses through a poetic, emotionally resonant lens. BBH London’s work with Audi follows its recent campaign with Burger King UK and celebrity chef Gordon Ramsay to launch its new Wagyu burger. The tongue-in-cheek push highlighted indulgence while making it clear Ramsay was not behind the grill. The integrated campaign was produced by BBH’s in-house production arm, Black Sheep Studios, with films directed by Artur Wolgers and OOH photography by Mark Peckmezian. While the films follow Ramsay’s comical attempts to be involved, the OOH executions spotlight the burger itself, with the chef teasingly just out of frame. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond. Related articles: Revolut revs up as title partner of Audi’s F1 team from 2026     Audi SG names new MD to spearhead direct-to-consumer business model      Audi Singapore names new GM of marketing source

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Maybank Singapore and American Tourister turn everyday spending into a getaway

Maybank Singapore is reimagining the launch of its new XL cards by pairing finance with lifestyle in a first-of-its-kind collaboration with American Tourister. Inspired by the card’s design, which resembles a luggage case adorned with decorative stickers, the campaign links everyday financial services with experiences across dining, shopping, entertainment and travel, turning a product launch into a statement about adventure and everyday rewards. In conversation with MARKETING-INTERACTIVE, Tessa Er, head of cards and personal loans, Maybank Singapore said the partnership builds on an ongoing relationship between the two brands. “Both brands represent journeys. Maybank supports financial journeys, while American Tourister equips travel adventures. That shared DNA makes the partnership feel authentic,” said Er. She added that the collaboration allowed the bank to spark conversations beyond the traditional credit card space and connect with next generations in a way that feels relevant, engaging and fresh. Don’t miss: Humanising finance: How Maybank is putting people first Between 19 September and 2 October, XL Card members will have early access to American Tourister’s Diazip collection, including a 10% discount in Southeast Asia. By combining cashback and rewards with the aspirational appeal of travel gear, Maybank and American Tourister aim to show that everyday spending can feel like a getaway the moment the card arrives. For now, the collaboration is focused on the XL Card launch and the debut of the Diazip collection, with both brands aligned on empowering people to live boldly, explore, and get more out of everyday moments. The partnership also required translating a financial product into a lifestyle-focused narrative. Meanwhile, the collaboration will be amplified through media seeding to over 30 lifestyle creators and media partners, featuring curated items, exclusive deals and experiences such as FOMO Fridays, highlighting how smart spending can go hand in hand with style and exploration. “The main challenge was balancing clarity and creativity. Instead of a standard press release, we worked with key cards influencers and financial websites during the initial launch to pique consumer interest,” said Er. “The current wave of media seeding to unbox the XL card proposition in a Diazip luggage amplified our card proposition through show and tell instead of explaining things with the usual hard numbers and product features,” she added.  Success will be measured across three areas. The first is acquisition, which will be tracked through new card sign-ups, activation rates, and usage across lifestyle categories. The second is engagement, measured by media coverage, social chatter, and the resonance of the “Everyday, a getaway” theme. The third is brand equity, reflecting how Maybank is perceived not just as a financial institution, but as a lifestyle partner that understands the aspirations of young adults. Speaking to the partnership, Er said “The best perks shouldn’t be reserved only for premium cards. Now young adults can enjoy more value on their everyday favourites when they live, spend, and explore. It’s about making great benefits accessible, right from the start of their financial journey. In tandem, Hazlina Dayangku, head of marketing and brand strategy (SEA), American Tourister added “American Tourister has always celebrated the joy of travel. Through this collaboration with Maybank, we aim to empower a new generation to embrace life with confidence, inspiring them to explore boldly, embrace new experiences, and turn everyday journeys into unforgettable adventures.”  The partnership follows Maybank Singapore’s recent 65th anniversary campaign, “Served your way, Maybank“, which blended ASEAN food culture with modern banking. The campaign connects familiar flavours and communal dining traditions with the bank’s goal of making financial services more personal, rewarding and purposeful. Rooted in Maybank’s mission of “humanising financial services”, it draws inspiration from ASEAN meals, where care, sharing and personalisation are central to the experience. A key element is “Kopi kakis” (“coffee friends”), informal engagement sessions over food and coffee where customers provide candid feedback and co-create ideas with the bank. Senior management often joins these sessions, reflecting Maybank’s belief that the best way to serve customers is to listen, connect and respond directly. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond. Related articles: Maybank and TikTok Shop collaborate to empower the digitalisation of ASEAN SMEs      Maybank inks partnership with Microsoft to supercharge digital and AI transformation   Travel gets deadly stylish in American Tourister’s Squid Game tie-up    source

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Standard Chartered's new global platform champions bold moments and decisive action

Standard Chartered has rolled out a new global brand platform, “Now is your time”, positioning the bank as a partner that empowers clients to act decisively in pivotal moments. The campaign, created in partnership with Leo Singapore, builds on the bank’s heritage in investment, trade and wealth corridors that link capital and commerce across global markets. It centres on a film titled “Ode to now”, which dramatises four characters as they navigate moments of ambition and achievement. Among them is Li Wen, an affluent businesswoman investing in her daughter’s future; Rahul, a corporate investor moving fast in dynamic markets; and Zahra, an engineer pitching her bold idea. Don’t miss: How Standard Chartered ditches the numbers to tell real stories of wealth    Li Wen’s daughter is played by TikTok sensation and child prodigy violinist Yeonah Kim, who is featured both as a character and as herself. Kim, known for her virtuoso performances that have drawn millions of views online, performed the soundtrack live during filming with the Malaysian Philharmonic Orchestra. She will continue to front the campaign through exclusive social media and behind-the-scenes content. “Now is your time” will run globally across out-of-home, regional TV, digital channels and premium publishers, supported by a refreshed brand design system aimed at delivering a more aspirational and consistent visual identity. “Standard Chartered has deep roots in the world’s fastest-growing economies which enables us to connect our clients’ ambitions to real opportunities. ‘Now is your time’ celebrates that we’re here for those who choose to make things happen,” said Sarah Hagan, global co-head of corporate affairs, brand and marketing at Standard Chartered. “Yeonah Kim, our incredible young violinist, has captured our hearts, and we are proud to see her take centre stage in the campaign,” she added. In tandem, Asheen Naidu, group executive creative director, Leo Singapore said, “Financial services advertising is crowded with glossy images of success, fixated on the end result. We chose instead to focus on the real-world moments that come before it, the grit, the vision, the determination. “Those moments gave us a visual language and an authentic tone for the Standard Chartered brand that reflect the energy and momentum that come from having the right support,” added Naidu. The launch of the new global platform comes shortly after Standard Chartered introduced “WellnessNOW”, a campaign positioning financial wellness as a key dimension of overall well-being. The three-part video series explores themes such as breathwork, mindfulness, Ayurveda and detox, drawing parallels between these practices and how individuals approach priorities, wealth and daily routines. Unlike traditional bank advertising, the series carries no direct call-to-action or product placement. Instead, it seeks to resonate with affluent consumers who are placing equal weight on emotional, physical and mental clarity alongside financial growth. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond. Related articles:  Standard Chartered and Alibaba join forces to accelerate AI adoption in finance  Standard Chartered names new global corporate coverage marketing director   Standard Chartered celebrates LFC’s HK tour with citywide campaign source

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StarHub launches Singapore's first real-time ad replacement for live TV

StarHub has unveiled Singapore’s first solution that replaces ads in real time on live broadcast TV. Dubbed Dynamic Ad Pods, the innovation allows brands to deliver tailored ads to households while viewers watch the same programme. Developed with CTV partner Hoppr, Dynamic Ad Pods extend precision targeting beyond on-demand shows. Unlike traditional connected TV ads that appear only before or during on-demand content, StarHub’s solution works across live sports, news, and primetime drama. The technology leverages insights from over 175 million hours of viewing data. Its server-side ad insertion (SSAI) engine enables two households watching the same broadcast to see different ads, each matched to their interests. Dynamic Break Matching ensures ads are seamlessly placed within programmes, reducing disruption and repetitive exposure. Don’t miss: StarHub takes full ownership of MyRepublic Broadband in Singapore Dynamic Ad Pods support multiple formats, including skippable pre-rolls and stitched mid-rolls. Ads play in full-screen, sound-on mode, designed to maximise engagement without interrupting the viewing experience. Built-in brand safety controls and frequency capping give advertisers confidence that messages reach the right audience without overexposure. StarHub also extends campaigns beyond TV. Brands can retarget viewers across display and WhatsApp, creating a connected journey from awareness to action. By combining the reach of live TV with digital precision, StarHub aims to offer advertisers smarter, more measurable ways to connect with audiences while enhancing the at-home viewing experience. This move comes as CTV continues to gain traction across the Asia-Pacific (APAC) region, driven by evolving consumer viewing habits and shifting advertiser strategies. According to OMG’s 2024 APAC Trends Report, 57% of APAC marketers are now reallocating at least 40% of their ad budgets to CTV platforms, signalling a strategic pivot toward targeted, data-driven advertising opportunities. The momentum is further underscored by developments from major industry players. Earlier this year, Netflix raised subscription fees for both its ad-supported and premium ad-free tiers, reflecting growing demand for high-quality, seamless viewing experiences. More viewers are opting either for ad-free content or flexible pricing models that include limited advertising. CTV innovation is not limited to streaming platforms. LinkedIn is expanding its CTV ad offerings, with improved targeting, premium reach, and stronger analytics. The company said earlier this year that its CTV inventory is over four times more effective than linear TV for reaching B2B audiences, citing iSpot data. New ad formats, including First Impression and Reserved Ads, will roll out globally later this year, giving brands more control over placement, timing, and engagement. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond.  Related articles: Magnite acquires streamr.ai to open CTV market to small businesses       Half of CTV viewers use the home screen as their guide – and brands are taking notice   LG enters Australia’s $4.5bn CTV market, Alex Blundell Jones to lead local push    source

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SG companies barred from engaging foreign freelancers for creative services

Singapore companies are not allowed to engage foreign freelancers to provide creative services such as photography, videography and make-up for weddings and events, according to a new advisory issued by the Ministry of Manpower (MOM). In a joint statement with the Visual, Audio, Creative Content Professionals Association (VICPA), MOM said it had received reports of companies hiring foreigners on tourist or student visas to carry out such work. It reminded businesses that foreigners without a valid work pass are not permitted to work in Singapore, and companies are not allowed to promote or engage them. Under the Employment of Foreign Manpower Act (EFMA), foreigners working without a valid work pass may be fined up to S$20,000, jailed for up to two years, or both. Companies that engage or abet them face the same penalties. Offenders may also be barred from entering or working in Singapore in the future. Don’t miss: STB seeks creative production team for digital content push  MOM stressed that checks would continue to be conducted on foreigners working without valid passes and urged industry stakeholders to report such infringements through its online “Report an infringement” eService. At the same time, VICPA, an affiliate of the National Trades Union Congress (NTUC), encouraged companies to turn to local freelance creative professionals to support their production and event needs. The association said this would help build the professionalism of Singapore’s creative sector while ensuring fair hiring practices that align with the law. Companies can access the NTUC Freelancer Directory, which features photographers, videographers and other creative professionals who adhere to the professional code of ethics and the Tripartite Standard on contracting with self-employed persons. “VICPA is working closely with the Singapore Ministry of Manpower to tackle a pressing issue in our industry, the illegal hiring of foreign freelancers for creative services in Singapore. These practices breach the EFMA act and threaten the livelihoods of our local freelance creative professionals,” said MOM in a statement on Facebook.  “This joint advisory was issued in response to feedback from our freelance creative community. We hear you, and we’re taking action to protect your work, your rights, and your future,” it added.  According to The Straits Times, VICPA’s executive secretary Jagathishwaran Rajo said that local professionals have increasingly shared their challenges posed by foreign freelancers. This includes concerns over unfair price competition as foreign freelancers often charge significantly lower rates.  This issue has proliferated in recent years due to social media platforms allowing foreign freelancers to advertise their services to clients in Singapore, added Rajo, noting that these cases are not limited to just weddings.  He stated that the VICPA’s objective is not to stifle competition, but to uphold fair and level playing field where Singapore’ creative talent is respected, valued and supported.  In 2024, Boston Consulting Group, The Network of which Jobstreet by SEEK is part of, found that talent in marketing and media (77%) from neighbouring countries are the most willing to move to Singapore for job opportunities. This is closely followed by those in digitalisation, data science and AI roles (76%). In its study, the group found that inbound talent mostly hailed from Malaysia (30%), Thailand (22%), Indonesia (19%) and the Philippines (14%).  Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join the industry’s leading marketers at Digital Marketing Asia 2025 Malaysia on 30 October to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond. Related articles:   Study: 77% in marketing and media are willing to move to SG for work   Study: 82% of marketers say marketing budgets face increased scrutiny as risk rises  SG marketers, here are your 2025 salary benchmarks source

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Etiqa captures real-life stories to spotlight unexpected moments

Etiqa Insurance Singapore has unveiled “Live ready with you”, a new brand campaign that brings to life how preparation, protection, and partnership can help Singaporeans navigate life’s unexpected turns. The campaign builds on Etiqa’s long-running “With you” narrative, but shifts focus to how readiness can empower people to move forward with confidence even when life does not go according to plan. At the heart of the campaign are emotional, real-life stories that capture life’s unpredictability from a sudden health scare and a surprise proposal to a father balancing work and family, a grandmother passing down her legacy, and a traveler losing his way. Don’t miss: Income Insurance brings joy and protection to street ice cream vendors These moments are captured in a cinematic brand film of five vignettes, illustrating that while life may throw curveballs, the right support can help people face the future with resilience. “Singaporeans are more financially aware than ever, yet there is still a sense of uncertainty about the future,” said Raymond Ong, CEO of Etiqa Insurance Singapore. “Readiness is not about having all the answers, but about having a trusted partner who gives you the confidence to move forward. ‘Live ready with you’ is our commitment to stand by our customers through life’s unexpected moments,” he added.  The campaign will roll out progressively across digital channels, out-of-home platforms, and Etiqa’s own touchpoints, bringing the stories to life across online video, social media, buses, Comfort taxis, MRT stations, and premium digital sites, as well as on Etiqa’s website Through “Live ready with you”, Etiqa positions itself not just as an insurer, but as a partner that offers reassurance, support, and peace of mind when it matters most. It comes after the insurer’s “With you for the ride” brand campaign in 2023, where it targeted adventurous Singaporeans instead.  The campaign challenged the way insurance is portrayed and utilised compelling personal narratives and dynamic visuals to humanise insurance to a wider audience while also making relatable the aspirations and dreams of Singaporeans.  The campaign featured a short film that highlighted how life’s unpredictable journeys can become less overwhelming when one is properly insured. It featured individuals from various age groups as they embark on life’s adventures such as 20-year-olds having parties, 30-year-olds advancing in their careers and 40-year-olds building up their families to name a few. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond. Related articles:  Etiqa Insurance ignites the spirit of adventure in new brand film  Etiqa Insurance takes to new TEL stations with interactive game and vibrant displays  Income Insurance’s angsty stress ball returns in unhinged sequel campaign  source

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Audi F1 Team and adidas team up for high-performance style on and off the track

Audi’s future F1 Team is entering the 2026 season in style, announcing a multi-year partnership with adidas as the team’s official apparel partner. The collaboration will see adidas design a full range of high-performance gear for drivers, mechanics, engineers, and trackside crew — balancing function, precision, and technology. Beyond performance wear, the partnership will extend to a global lifestyle collection of apparel, footwear, and accessories, set to launch before the first race, allowing fans to show their support from day one. Don’t miss: adidas and BAPE blur the lines between football and fashion “adidas and Audi have decades of collaboration in top-level sports – built on shared values and the desire to inspire through performance,” said Gernot Döllner, CEO of AUDI AG and chairman of the board of directors of Sauber Motorsport AG. “Our partnership in Formula 1 goes far beyond the pursuit of innovation and peak performance: it combines the strengths and visions of two progressive brands.” Bjørn Gulden, CEO of adidas, added “Bringing together the iconic four rings and our three stripes to the 2026 paddock marks an exciting new chapter in motorsport. This partnership showcases our focus on collaborating with brands rooted in shared beliefs and innovative perspectives, on and off the track.” Meanwhile, Jonathan Wheatley, team principal of the future Audi F1 Team, said “This partnership brings together two iconic brands on a global stage and represents a bold step forward in our journey to the grid. With adidas, we’re equipping our people with elite technical sporting gear that enhances performance where it matters most.” The Audi and adidas tie-up follows the car brand’s recent partnership with Revolut as its title partner. The landmark agreement brings together two innovation-driven brands with ambitions to disrupt their respective industries. According to both parties, the partnership aims to reinvent how fans experience the sport, offering new digital touchpoints, exclusive perks for Revolut customers, and premium retail experiences during race weekends. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond.   Related articles:   Mastercard drives into fast lane as McLaren’s F1 naming partner   What Barilla’s Formula 1 move means for sports advertising beyond the Super Bowl   PepsiCo turbocharges global fan engagement with F1 partnership source

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How should PR agencies draw the line when ethics, morality, and money collide?

When should a communications or PR agency say no? In an industry built on shaping narratives, agencies frequently face the dilemma of working with clients whose activities or politics may be ethically controversial. Take the recent backlash against Stagwell as an example. The holding group faced criticism when leaked documents found that it was involved in research and tested campaign messages designed to improve perceptions of Israel internationally while it continues its war against Palestine. Don’t miss: Backlash over Stagwell’s Israel work puts PR ethics in the spotlight A less political example, but equally controversial incident, closer to home would be when extra-marital affairs dating app Ashley Madison wanted to launch in Singapore, sparking backlash from citizens. The dating website had sought for a PR agency in Singapore, however, the MDA banned the website due to its “flagrant disregard of Singapore’s family values and public morality.” The cases raise a recurring question for communications agencies: where should they draw the line? Industry leaders MARKETING-INTERACTIVE spoke to emphasise different approaches to this moral calculus. Ethics are situational Pei Lin Cho, managing director of APRW, believes that ethics is ultimately situational and there’s no clear answer, except for the one mandated by the law. “Anything that requires us to break the law is definitely a no-no,” said Cho. But beyond legality, she advises that agencies should judge the actual brief and the work itself, rather than the client’s industry or reputation. For instance, working with a company in the casino industry could raise eyebrows. But the ethics dilemma comes in when the same company is the running a charity campaign. “The first judgment call you need to make is whether you agree with a particular stance,” she said. Citing another example, she asks, what if a firm asks the agency to highlight only the CSR work they’re doing, without mentioning anything negative they’ve been associated with. Should the agency have to walk away from highlighting real work such as helping the poor, providing free education to immigrants when that’s the truth? Cho also emphasises the importance of individual choice, allowing employees to opt out of projects that clash with personal or religious beliefs. In her view, agencies must find a balance between the values of the team and the practicalities of the work, recognising that no single person’s perspective can define ethical boundaries alone. In the context of Singapore, she says using gambling as an example, in some cultures and religions, the act of gambling is frowned upon, but in others, it’s an activity for bonding. “Is there a stand the agency must take and therefore, does it mean that the people who work in casinos are people with no ethics? Is gambling necessarily bad? Is smoking any worse than drinking alcohol?” said Cho, highlighting the nuances of every situation. At the end of the day, Cho falls back on the guidelines of the laws when it comes to the grey areas such as tobacco marketing, alcohol marketing or gambling marketing where there are specific guidelines in legislation. She concludes: To summarise: it really depends on the brief. I don’t judge based on the client alone. I consider the work I’m being asked to do and whether it aligns with my values. Lars Voedisch, founder and CEO of PRecious Communications, added that there is never an absolute line. “It’s the longevity of how your decisions are paying back. Are you looking at it short term or long term? It all comes down to, are you willing to sacrifice money for your values. That’s where it all comes down to, at the end of the day.” Shedding light to the example of when Ashley Madison was launching in Asia, he shared that when the brief landed on the agency’s desk, he had taken a poll across the office on employee sentiments on working on the account. Majority felt uncomfortable leading to the agency walking away from the brief. “Employee sentiments matter,” he said. Doing the ‘right thing’ Meanwhile, Asiya Bakht, founder of Beets Public Relations stressed a longer-term moral lens, arguing that agencies must weigh reputation and historical accountability. She notes that agencies often operate pragmatically, balancing survival with ideology. Using the example of leaders such as Mark Penn, chair and CEO of Stagwell, she says these leaders align their personal values with agency strategy, shaping how ethically fraught campaigns are pursued. “He’s well-known as a right-wing sympathiser and pro-Trump strategist. From his perspective, he may not see working with Israel as a wrong. He’s also part of the Jewish-American community, so he may view his work as aligned with his values,” she said. She noted that in certain cases, many agencies prefer to stay neutral and avoid divisive politics. Strategically, that can make sense, but it can also backfire. “Personally, I believe agencies have an ethical responsibility to be transparent. Many successful agencies have prospered because they made strong, value-based decisions and chose the right side of history,” she said, adding that: It’s simple: you always know what is right and what is wrong. And normally, the right thing is the universal ‘right thing’. Voedisch also notes that decisions about clients aren’t just about the brand as it affects hire, the type of talent attracted, and relationships with other clients. “If you work with one client, another may refuse to work with you. Who you do business with reflects not just on your brand, but also on your staff, partners, and entire ecosystem. That has a much bigger impact today than it did in the heydays of Bell Pottinger,” he said. The role of industry bodies This divergence reflects the broader question of how much responsibility falls on industry bodies. Most, such as the PRCA or the 4As, act more as convenors than enforcers. For some, this risks allowing agencies to hide behind neutrality, even when the stakes are clear. “Industry bodies have code of conducts for their members and at best, they can expel a member who flouts these rules.

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