marketing interactive

Mastercard hands US$180m global media remit to WPP Media

Mastercard has appointed WPP Media to lead its media strategy, planning, and buying across more than 70 international markets, ending its decade-long partnership with Carat.  WPP Media will serve as the brand’s global media agency, overseeing media strategy and execution. Mastercard cited WPP Media’s global reach, advanced AI, data capabilities and connected approach across paid media, social engagement and business enablement as key reasons for the appointment, which it said will help drive greater impact across its marketing ecosystem. Don’t miss: WPP CEO Mark Read steps down after 7 years At the same time, Ogilvy has been named Mastercard’s global community management partner, tasked with building and managing online communities in key markets worldwide. A Mastercard spokesperson said it was expanding the role of its media partnerships to support more integrated business needs in an AI and data-driven era. “WPP’s powerful global reach and advanced AI and data capabilities – along with its connected approach across paid media, social engagement and business enablement – will help us drive greater impact across our entire marketing ecosystem,” the spokesperson said.  The decision, Mastercard said, reflects a thoughtful process and emphasises Mastercard’s committed to strong, collaborative relationships that support innovation, respect and shared success. According to COMvergence estimates cited in Ad Age and Adweek, Mastercard’s global media spend totalled US$180 million in 2024. The move follows a competitive review and ends Carat decade-long tenure on the account.  Brian Lesser, CEO at WPP Media, said it was a landmark win for the company, adding that it “speaks to the momentum we’re building as WPP Media, the power of our integrated offer, and the value of the investments we’re making to give our clients an advantage in the AI era.” “We can’t wait to demonstrate what’s possible when you combine one of the world’s most trusted brands with the world’s best media talent and technology,” he added. It comes as WPP is preparing a leadership change at the global level. Microsoft executive Cindy Rose will step in as global CEO on 1 September, replacing Mark Read after a seven-year tenure. A WPP board member since 2019, Rose currently serves as chief operating officer, global enterprise at Microsoft. She will work alongside Read during a transition period through to the end of the year and will be based between London and New York. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond.  Related articles:   TikTok brings Symphony AI to WPP in first-of-its-kind integration WPP ushers in a new era with global rebrand of GroupM to WPP Media    Can Cindy Rose transform WPP? Industry leaders weigh in  source

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Ebiquity names new general manager for SEA

Ebiquity has appointed Deanson Lee (pictured) as general manager for Southeast Asia, bolstering its leadership team amid rising regional demand for intelligence-driven media performance solutions. Lee joins from Havas Media Group, where he served as managing director of Digital Havas Media Singapore and Arena Media Singapore. With over 15 years in the industry, he has held roles ranging from hands-on practitioner to senior leadership, giving him a “cloud-to-ground” perspective that blends strategic foresight with practical execution. Throughout his career, Lee has worked with cross-functional teams to deliver measurable business outcomes, lead transformation programmes, and turn strategic frameworks into operational solutions for brands, according to the consultancy. Don’t miss: Ebiquity names new group CEO as Nick Waters steps down His appointment comes as media performance increasingly hinges on technology infrastructure, unified operations, and teams’ readiness for an AI-first landscape. Ebiquity said Lee’s expertise in aligning technology adoption with operational change will help clients navigate evolving audience behaviours, strengthen governance and compliance, and improve performance measurement. “We are excited to welcome Lee to Ebiquity in this leadership capacity. His deep industry knowledge, proven track record in digital transformation, and passion for innovation will be instrumental in advancing our growth and enhancing client value across Southeast Asia,” said Leela Nair, managing director, APAC, Ebiquity. In tandem, Sanny Manduapessy, managing director, SEA, Ebiquity said, “Lee brings valuable expertise that will strengthen our ability to serve clients across the region. His appointment complements our ability to deliver insights and innovative solutions to help clients navigate an increasingly complex media landscape. Whether this is to in-house or to achieve operational digital excellence, all in pursuit of driving transparency and effective outcomes for our clients.” Speaking on his new role, Lee said, “We are entering a new era where marketers must align partners, talent, technology, and operational agility to unlock true media effectiveness. Ebiquity is uniquely positioned to guide brands through that evolution – not just by measuring performance, but by enabling the organisational change needed to achieve it.”  The appointment comes shortly after the Singapore Tourism Board (STB) named Ebiquity as its marketing agency consultancy partner following a competitive tender. Over the two-year contract, Ebiquity will work with STB’s marketing group and regional offices to optimise its network of agency partnerships across key markets, providing strategic guidance on agency performance, governance, and operational frameworks, while ensuring the organisation remains agile and future-ready amid rapid technological change and growing scrutiny over media investment. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond.  Related articles: Allison names new SG office GM amidst expansion of offerings   A&W marketing director Christine Chang joins Hakuhodo MY as GM        OMD Singapore promotes Adamson Alagan to general manager source

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Swatch apologises for featuring 'slant eye' pose in promotional ad

Swiss watchmaker Swatch has apologised for publishing an ad featuring a model making a “slant eye” gesture, which triggered backlash on Chinese social media.  This came after the brand uploaded various images featuring a male model making “slant eye” posts, while promoting its Camo Flash model. The incident has garnered over 1.9k mentions globally over the past few days, with many netizens commenting on the problematic use of stereotypical imagery, accusations of racism and cultural appropriation, and the swift reactions to such controversial incidents, according to media intelligence firm CARMA.  Swatch’s brand sentiments have dropped from 32.3% positive and 11.9% negative to 17.6% positive and 44.7% negative. Associated keywords include “Swatch”, “China”, “Instagram”, “longines”, “slant eye”, “image”, amongst others.  In response to the backlash, the watchmaker uploaded both English and Chinese statements on its Instagram and Weibo accounts, respectively, stating it has taken note of the recent concerns regarding the portrayal of a model in images for the Swatch ESSENTIALS collection.   “We treat this matter with the utmost importance and have immediately removed all related materials worldwide. We sincerely apologise for any distress or misunderstanding this may have caused,” added the statement.  MARKETING-INTERACTIVE has reached out to Swatch for a statement. However, the statement did not seem to calm netizens’ fire. A check by MARKETING-INTERACTIVE saw that its statement on Instagram drew negative sentiments, with many condemning the brand for discriminating against Asians in its product posters.   Swatch — the Swiss watchmaker behind brands such as Omega, Longines, and Tissot — is highly reliant on the Chinese market, with approximately 27% of its revenue last year coming from Mainland China, Hong Kong, and Macau.  However, for the first half of 2025, the company’s net sales have dropped 7.1% YOY to US$3796 million. The decline in sales was exclusively attributable to weak consumption in China, Hong Kong and Macau.   Meanwhile, wholesale business in Greater China declined by more than 30%, partly due to the closure of third-party stores, while the group’s own retail business performed slightly better with a 15% decline.   This region’s share of the Group’s total sales has fallen from 33% to 24% in the last 18 months. The group expects a slight improvement in consumption in China in the second half of the year.    In fact, this isn’t the first time the brand came under fire. Back in 2023, Swatch revealed that Malaysian authorities raided a number of its stores and confiscated 164 rainbow-coloured watches worth a total of US$14,000 from its Pride collection for LGBTQ connotations.  It reported that Malaysia’s Ministry of Home Affairs raided various outlets across eleven different malls and confiscated watches that came in the colours of the rainbow. Malaysia is known for criminalising same-sex relationships with punishments including caning and jail time. The seizure was reportedly based on the Printing Presses and Publications Act of 1984 which ensures that content produced does not offend or undermine race relations. Take your brand to new heights with cutting-edge AI strategies, innovative technology, and data-powered experiences. Don’t miss Digital Marketing Asia 2025 in Hong Kong on 20-21 October, where 200+ marketing leaders will explore game-changing trends, proven successes, and bold ideas shaping the future. Related articles: Swatch sees drastic drop in brand sentiment as it files lawsuit against MY govt: Is the fight worth it?Swatch sees brand sentiments dip following LGBTQ watch seizure: Was it to blame? source

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Great Eastern chief marketer Colin Chan to step down after 30 years

After more than 30 years with Great Eastern Group, Colin Chan (pictured) will be stepping down from his role as managing director, group marketing.  A spokesperson from Great Eastern told MARKETING-INTERACTIVE that Chan will be leaving the company. The move comes shortly after the company announced the appointment of Kwek-Perroy Li Choo as managing director, group integrated propositions and platforms. There will be a transition period between the two leaders, said a spokesperson.  According to his LinkedIn, Chan began his career with Great Eastern in 1994 in various actuarial positions before moving into marketing. In 1997, he was appointed senior marketing officer, a role he held for 10 months before taking on other leadership positions within the group. By 2010, he was promoted to division head of accident and health as well as customer marketing. The following year, Chan became chief marketing officer, overseeing marketing, branding, product development, implementation, and analytics for the Singapore business for five years. Don’t miss: Linda Hassan departs Domino’s Pizza MY & SG In 2016, he was named EVP and head of group product and customer marketing. The year after, he was promoted to managing director, group marketing, a position he held for close to nine years. MARKETING-INTERACTIVE has reached out to Chan for a statement. Meanwhile, Kwek-Perroy steps into her new role from 15 September 2025. She will lead teams across customer segments and experience, product development, digital platforms, brand, marketing, and communications. Reporting directly to the group CEO, she will be tasked with driving a unified, customer-centric strategy that delivers innovative propositions, integrated solutions, and personalised experiences. Kwek-Perroy is also a seasoned insurance leader with senior experience at AXA Group, Manulife, and Zurich Insurance Group across APAC and Europe. According to Great Eastern, she is recognised for her strategic vision and her ability to align cross-functional teams around a shared customer agenda. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond.  Related articles:  Prudential HK names new chief strategy and transformation officer  Prudential chief customer officer Theng Kiat Goh steps down after 7 years  Zurich Malaysia Insurance names new CEO to focus on customer centricity  source

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The Trade Desk names Helen Lee as head of agencies for APAC

The Trade Desk has appointed Helen Lee (pictured) as its new head of agencies for APAC. In her new role, Lee will partner with the region’s largest agency groups to co-create solutions, drive growth for the Open Web, and build a culture of shared success across markets, according to a LinkedIn post. Lee most recently led agency partnership and development at LinkedIn Singapore, a position she held for the past three years. During her time at the company, she was responsible for building and executing strategic partnership programmes with the ‘Big Six’ holding companies and key independent agencies across the region. Don’t miss: LinkedIn ramps up video ad tools, launches First Impression ads and CTV upgrades for B2B She spearheaded initiatives spanning marketing strategy, product enablement, talent development, thought leadership and commercial collaboration, and her contributions were recognised with accolades including the global agency team’s “Change maker” award. Prior to LinkedIn, Lee was SVP of monetisation strategy and ad product marketing at Singapore Press Holdings, where she led go-to-market strategy for media products and omni-channel platforms. She has also held senior agency leadership positions including managing director of Zenith and associate director of Starcom. “Every new role is a fresh chance to learn, grow, and create impact. I am ready for this one,” Lee wrote in her post. MARKETING-INTERACTIVE has reached out for more information. Alongside Lee’s appointment, The Trade Desk has also strengthened its leadership in Greater China and Korea with the naming of Stella Leung as senior vice president for the region. In this role, Leung will lead the company’s business and growth strategy across these key markets and will report directly to Jed Dederick, chief revenue officer of The Trade Desk. She oversees the Korea market and all three key markets in Greater China including Mainland China, Hong Kong, and Taiwan. Leung brings over 23 years of leadership experience in advertising and technology sectors across the Asia Pacific region. Most recently, she served as director of agency at Google for the Greater China region, where she was responsible for driving business growth and achieving revenue targets. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond. Related articles: ERA Singapore names new head of comms   Roblox swipes right on Tinder’s Papri Dev as APAC communications head      Archetype APAC names new head of strategy and innovation, revamps model source

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HKTB and Klook partner up to enhance Muslim travel experience

The Hong Kong Tourism Board (HKTB) has partnered with Klook to enhance the Muslim travel experience in the city with a multi-market campaign.    This comes after Muslim leisure travellers were observed to have faith-based needs when they explore new cultures during their visit to Hong Kong, such as access to Muslim-friendly food, prayer facilities, and privacy considerations.  Also known as “Jelajah Hong Kong”, this enhanced multi-market campaign was created to elevate Hong Kong as a Muslim-friendly destination.   Targeting millennial and Gen Z Muslim travellers in Singapore, Malaysia, and Indonesia, Klook brings to life a one-stop shop of Muslim-friendly activities and accommodations, as well as prayer-friendly day trips to family attractions and cultural highlights.  To bring these experiences to life, Klook taps into its Kreator network in key markets of Singapore, Malaysia, and Indonesia to develop and share curated itineraries, offering firsthand recommendations that give Muslim travellers the comfort and confidence to explore Hong Kong freely.  To amplify the partnership, the campaign has leveraged a tactical mix of paid, earned, shared, and owned channels, all driving to a one-stop campaign page showcasing Muslim-friendly offerings in Hong Kong, said a Klook spokesperson.  Kenny Sham, general manager for Hong Kong, Macau, and Thailand at Klook, says: “We are always thinking about how to create more inclusive travel experiences by leveraging our strengths in discovery, data-driven insights, and curated offerings. Working with HKTB, we are able to tighten the information gaps for Millennials and Gen Z Muslim travellers, thereby helping them to explore Hong Kong with confidence and comfort.”  For Klook, this campaign follows its partnership with CrescentRating and HalalTrip. Through this, Klook became the first global experiences platform to offer verified Muslim-friendly ratings, allowing users to easily identify activities and attractions that align with their faith-based needs.  Liew Chian Jia, regional director, Southeast Asia of the Hong Kong Tourism Board (HKTB), said: “Since the launch of our Muslim-focused campaign, ‘Jelajah Hong Kong‘, we’ve observed a growing level of interest and inquiries from Muslim travellers across our key source markets. Through this campaign, Hong Kong Tourism Board is strategically highlighting the city’s expanding range of Muslim-friendly offerings and experiences.”   “This partnership with Klook marks a timely and meaningful collaboration that further positions Hong Kong as an inclusive and welcoming destination for Muslim travellers. It also underscores our ongoing commitment to diversifying Hong Kong’s tourism appeal and meeting the evolving needs of global visitors,” added Chian Jia.    “Travel planning to non-Muslim-majority destinations can be stressful when key information for our faith-based needs isn’t readily available,” said Fazal Bahardeen, CEO of CrescentRating and HalalTrip, global authorities in Muslim-friendly travel. “And navigating unfamiliar places among unfamiliar people can add to that anxiety.”   “These gaps create feelings of discomfort or exclusion, undermining the very purpose of leisure travel, which is to enjoy new experiences with peace of mind,” he added.  Muslim travellers play a significant role in Hong Kong’s tourism industry. According to the newly released 2025 Mastercard-CrescentRating Global Muslim Travel Index (GMTI), international Muslim arrivals reached 176 million in 2024, marking a 25% increase from 2023. This number is projected to grow to 245 million by 2030, with total travel spending expected to reach US$230 billion. These figures underscore the growing influence and immense economic potential of the global Muslim travel market. Meanwhile, over the past 12 months, bookings to Hong Kong from the Muslim community have grown by 43.5%, with theme parks and attractions leading the way, according to Klook.   “We are delighted to see Hong Kong making significant strides towards becoming a more inclusive and welcoming destination for Muslim travellers. The partnership between Klook and HKTB is a good example of how collaborations can create meaningful, Muslim-friendly travel experiences to provide useful and relevant travel information for tourists,” said Bahardeen.   Take your brand to new heights with cutting-edge AI strategies, innovative technology, and data-powered experiences. Don’t miss Digital Marketing Asia 2025 in Hong Kong on 20-21 October, where 200+ marketing leaders will explore game-changing trends, proven successes, and bold ideas shaping the future. Related articles: HKTB names PR agency for Indonesia market to maintain appealHKTB names Essence Burson-Marsteller its Malaysia PR partner source

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Yo-Chi taps agency for influencer-led Singapore debut

Australian frozen yoghurt brand Yo-Chi has turned to influencer agency Kobe to drive its Singapore launch, using social content to turn the debut into a trending event. Kobe curated a roster of food and lifestyle influencers to preview Yo-Chi’s self-serve offerings, highlighting the brand’s weight-based pricing, premium ingredients, and interactive topping bar. The campaign quickly gained traction online as more than 90 content creators supported the launch, while public posts under #YoChiSG amplified the buzz, according to the agency. In conversation with MARKETING-INTERACTIVE, Collin Tio, associate director, partnerships, Kobe, said Singaporeans’ love for food and their enthusiasm for discovering new experiences shaped the influencer strategy. Don’t miss: B2B influencer marketing consultancy INFLUENCE opens shop in Singapore “They’re quick to embrace new dining experiences, especially those that feel both Instagram-worthy and family-friendly. By engaging food lovers, lifestyle tastemakers, and family voices, we made sure Yo-Chi connected across different life stages and social circles, striking the right balance between aspirational and relatable,” he added.  Tio added that Yo-Chi’s interactive, visually engaging self-serve experience made it a natural fit for influencer marketing. Unlike traditional media, influencer content could spark conversation, inspire trial, and bring the creativity and community energy that made Yo-Chi a hit in Australia to Singapore. Short-form video formats, including Reels, TikTok, and Stories, were central to the campaign, capturing the hands-on ritual of crafting each bowl and turning online buzz into queues outside the Orchard Central store on opening day. “The Orchard Central launch was only the starting point. Influencers will remain a powerful way for Yo-Chi to sustain momentum – whether it’s spotlighting seasonal flavours, highlighting community initiatives, or reinforcing the brand’s commitment to quality and sustainability. Long-term creator partnerships will help Yo-Chi stay relevant and top-of-mind as it grows in Singapore and the region,” Tio added.  Founded in Melbourne’s Balaclava district in 2012, Yo-Chi is known for its self-serve frozen yoghurt concept, designed to inspire creativity and positive energy. The Orchard Central flagship offers ten yoghurt bases, alongside fresh fruits, crunchy toppings, cakes, Singapore-exclusive jellies, popping pearls, and a Nutella fountain. “Singapore’s food scene is renowned for embracing diverse flavours and culinary trends. We’re excited to bring our self‑serve concept to Orchard Road and invite Singaporeans to share the ‘Chi’ by creating their own frozen‑yoghurt masterpieces. Our mission has always been about good energy and creativity, and we look forward to being part of Singapore’s vibrant community,” said Amy Bell, co‑owner of Yo‑Chi Singapore.  The brand plans further Southeast Asia expansion while maintaining its focus on quality, sustainability, and community engagement. The Yo-Chi launch comes as the influencer marketing space in Singapore continues to evolve. In July, SPH Media partnered with TSL Media Group’s influencer agency X10 Media to enhance its omnichannel offerings with creator-led campaigns, helping brands drive full-funnel results from awareness to conversion. The partnership combines SPH Media’s editorial reach and trusted content ecosystem with X10 Media’s experience running more than 1,000 influencer campaigns across Southeast Asia. By integrating influencer marketing into its suite of services, SPH Media aims to position itself as a one-stop solution for advertisers seeking credibility, scale, and social engagement. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond.  Related articles: GrabFood rules the fried chicken game with big bites and influencer power     Publicis Groupe acquires influencer marketing platform Captiv8    Team Lewis wins Shangri-La Australia PR and influencer brief   source

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Similarity in Malaysia Airlines and Batik Air ads raise questions on originality

Malaysia Airlines (MAB) is finding itself in an unexpected position after elements of its global brand campaign “Time for” surfaced in an unlikely place — in promotional ads by Batik Air. MAB’s “Time for” campaign, which launched earlier this year, was developed as a strategic narrative to mark a new chapter for the carrier. With thematic storytelling and a consistent “Time for…” headline treatment, the airline positioned itself around the idea that it is always the right time to travel with Malaysia Airlines. The campaign has since rolled out globally across multiple platforms and destinations. In early August, however, ads by Batik Air appeared online with a near-identical “Time for” headline, a visual treatment bearing strong resemblance to MAB’s, and creative elements that placed flight attendants against destination backdrops. While Batik Air’s campaign was targeted at the Indian market, and specifically promoted routes to Australia (Perth, Sydney, Melbourne), the similarities were difficult to ignore. Based on checks by MARKETING-INTERACTIVE, Batik Air’s campaign was live on Meta Ads from 5 August 2025, for platforms such as Instagram, Facebook, Messenger, and Threads. However, the ad campaign was no longer live on the Meta Ads library on 11 August. In its place, is an Independence Day sale campaign, promoting flights from India to Malaysia, Indonesia and Vietnam, which went live on 8 August. Don’t miss: Instagram is now searchable: What it means for brands and content creators Screenshot of Batik Air’s website featuring a “Time for Australia” banner image, taken on 7 August 2025. Batik Air’s ads featuring the “Time for…” tagline, taken from Meta Ads library. When asked for comment, Batik Air declined. Meanwhile, in a statement, Malaysia Airlines said: “Malaysia Airlines launched a global marketing campaign ‘Time For’ earlier this year as a strategic narrative to reflect a bold new chapter for the airline and our passengers. We are aware of the recently launched content by another airline bearing striking similarities in title and thematic style. While we refrain from speculating on intent, we believe in the importance of originality and brand integrity, especially in an industry where distinctiveness matters. Our focus remains on delivering meaningful storytelling and authentic experiences that reflect Malaysian Hospitality and inspire global travellers.” Industry experts weigh in Adding to the overlap, Batik Air’s ads employed fonts that closely mirrored MAB’s execution, albeit in different colours. Industry observers pointed out that even if the campaign was intended as a tactical promotion rather than a broader brand platform, the resemblance risked blurring differentiation between the two carriers. Kenny Wong, former CMO of UEM Sunrise, noted that while Malaysia Airlines’ campaign was holistic and branding-led, Batik Air’s was tactical in nature, pushing call-to-action messages such as “zero convenience fee” and “20kg baggage allowance.” Yet, he said the similarities were unmistakable, from the headline treatment to the use of flight attendants in the foreground and destination shots in the background. Wong believes the overlap was likely unintentional. He argued that “Time for” is a versatile phrase that copywriters might instinctively land on but said more thorough checks could have prevented the clash. He said:  No brand or marketer would like to be branded as having plagiarised or be a copycat. “I think it was unintentional and at worst, a lack of due diligence,” he explained. Still, Wong added that given MAB’s scale, it would not have been difficult to discover the campaign with a quick search. For Farrokh Madon, chief creative officer of Pirate, the issue cuts deeper. He highlighted the “identical headlines and split-screen imagery,” questioning why such basic differentiation was overlooked especially since Malaysia Airlines had been running ads in the same tone and style for much longer. Madon said: The core task for any creative agency is to create a positive differentiation for the ads. “You can only do that if you have a complete view of what the competition is doing. In this case, they seem to somehow have been unaware, and it’s hard to understand why such basics were missed,” he added.  Meanwhile, Sharon Koh, former head of marketing of Scoot, and founder of consultancy The Brand Imprint, gave a different take. While she acknowledged the “striking similarities” between the two, she suggested that Malaysia Airlines might take it as a compliment. “It’s not my place to comment on Batik Air’s intent, but as a third-party observer, kudos to the Malaysia Airlines team for creating such a compelling campaign that resonated strongly enough to be echoed by another airline.” She added: Imitation is often said to be the highest form of flattery. “For Batik Air, the debate may actually have amplified awareness and generated more attention than the campaign might otherwise have achieved. Hopefully, that translated into meaningful traction and revenue results for them,” said Koh. Malaysia Airlines’ “Time for memorable journeys” campaign as seen on its Instagram feed. Lessons for brands The situation highlights the broader challenges marketers face in balancing originality with relevance, particularly in highly competitive industries such as aviation. While some similarities between campaigns may occur by coincidence, experts noted that overlaps can also result from creative shortcuts, insufficient market scanning, or simple oversight during execution. As Wong pointed out, cases of brands resembling one another are not uncommon, with some deliberately drawing inspiration from competitors through similar taglines, themes, or visual treatments. In most situations, however, these efforts tend to involve enough tweaks to be seen as playful nods or competitive banter rather than direct replication. “But to be honest, I like brands which take the mickey out of their competitors, like the campaign BMW launched, timed with the retirement of Mercedes-Benz CEO Dieter Zetsche. This is competition at its best, without copying or replicating anything,” added the former UEM Sunrise CMO. From a creative standpoint, Wong added that tactical campaigns do not necessarily need to mirror established themes to be effective. Alternatives such as “There’s always time to change to…”, “Anytime is a good time for…”, or “There’s no time like now for…” could deliver urgency and call-to-action without overlapping with a

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Maybank serves up cross-border bonds with 'Hungry neighbours' campaign

Maybank has launched a new social campaign titled “The hungry neighbours”, designed to spotlight its growing suite of cross-border banking services between Malaysia and Singapore. The initiative forms part of Maybank Beyond Borders, which bundles features such as QR payments, instant regional fund transfers via Maybank Overseas Transfers and DuitNow, and linked accounts for easier money management. The series launched on Maybank Singapore and Malaysia’s social media platforms, hosted by Singaporean content creator Pamela Lee Nur Shuhadah (@leeshuhadah) and Malaysian content creator and comedian Ho Ming Yue (@mingasaur). In the first episode, which premiered a week ago, Ming Yue takes Pamela to some of his favourite eateries, including Noto Cafe & Bakery in Subang Jaya, Gerai Ayam Gepuk 47, and Dking SS2 Durian, while making easy cross-border payments using Maybank’s MAE and Maybank2u apps. The second episode, released three days ago, flips the roles, with Pamela introducing Ming Yue to her favourite food spots in Singapore, including Zam Zam Restaurant and The White Label. Throughout the episodes, both hosts inject humour with cheeky jabs about each other’s countries, nodding to the friendly rivalry that Singaporeans and Malaysians share. Don’t miss: Maybank inks partnership with Microsoft to supercharge digital and AI transformation According to a Maybank spokesperson, the aim of the campaign is to make cross-border financial experiences “simpler, more intuitive, and human-centred” across both markets. “We want to provide seamless and secure digital banking experiences, reflecting how people live and spend across the Causeway,” the spokesperson told MARKETING-INTERACTIVE. Food was chosen as the anchor theme for the series, with Maybank positioning it as both a symbolic and strategic choice. “Food is a shared cultural passion between Malaysians and Singaporeans, making it a natural storytelling lens. It connects communities, sparks conversations, and fits organically into daily spending behaviours,” the spokesperson explained. “With features like Scan & Pay working seamlessly across both countries, food merchants are key to encouraging adoption, making food both a symbolic and strategic choice.” “The hungry neighbours” series also builds on Maybank’s wider brand ambition in the region. The spokesperson noted that while the campaign is focused on Malaysia and Singapore, it reflects a broader ASEAN strategy. “As a bank present in all 10 ASEAN member countries, we make cross-border banking effortless and human – connecting everyday moments and accelerating our digital evolution. The food theme also amplifies our Served Your Way brand campaign, aligning with Maybank Singapore’s 65th anniversary,” they added. Hosted primarily on Instagram, the series leans heavily on influencer storytelling. Creators were selected based on data insights around their cross-border reach and engagement, with Maybank citing Pamela and Maddy (@maddybreteche) as examples of talent with strong followings on both sides of the Causeway. “Beyond numbers, we prioritised authenticity, chemistry, and storytelling ability – choosing creators who can seamlessly integrate product narratives into content that feels fun, real, and enjoyable to watch,” the spokesperson said. Across four episodes, “The hungry neighbours” will travel to food destinations in Singapore, Klang Valley, and Penang. Each episode will feature local favourites, shared dishes, and everyday cross-border experiences of young consumers, all delivered with a mix of humour and relatability. Beyond this series, Maybank Malaysia recently partnered with Wabikong TV’s Sai for a Chinese-language social campaign titled “槟城打工30天” (“Working 30 Days in Penang”), which highlights the diverse jobs Penangnites hold across various industries, anchored around the ease of business banking with Maybank’s business account services. Meanwhile, on Maybank Singapore’s social platforms, the bank has been working with influencer partners on its “Tap, Track, Win” campaign and producing its own content series, “Tap into Insights.” Last month, it also launched a TikTok account under the handle @maybanksingapore. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join the industry’s leading marketers at Digital Marketing Asia 2025 Malaysia on 30 October to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond.Related articles: Maybank and TikTok Shop collaborate to empower the digitalisation of ASEAN SMEsMaybank dazzles Singapore sky with tiger coming to lifeWhy is this Maybank branch in Sabah trending on social media? source

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HI-CHEW levels up in Fortnite with mini-games and sweet rewards

HI-CHEW is back in Fortnite Creative islands for a third consecutive year, bringing bold flavors and playful competition to the gaming world. The candy brand’s latest in-game activation, powered by Super League, runs until 14 September and features mini-games, exclusive rewards, and a first-of-its-kind creator competition. Players can enter the “Chewbie-Dome”, a candy-colored hub on Fortnite’s minigame box PVP island, to take on three custom HI-CHEW branded mini-games: ‘HI-CHEW climbers’, ‘HI-CHEW chewlet grabbers’, and ‘HI-CHEW block drop’. Don’t miss: Fortnite gets players to heal instead of kill in new healthcare career push Guided by the brand mascot Chewbie, gamers dash up ramps while dodging fruity obstacles, scramble through candy factory-inspired arenas to collect “chewlets”, and dodge falling objects in chaotic survival challenges, all while collecting HI-CHEW coins to unlock exclusive in-game items. HI-CHEW also revives two classic minigames with a twist: in ‘Chewbie says go!’, players follow Chewbie’s “chewlish” signals in a Red Light, Green Light-style challenge, while ‘HI-CHEW pillars’ puts them on floating platforms to battle until only one remains. This year, the brand has added a game-wide quest where players can unlock collectible items by completing challenges, exploring the map, or discovering hidden containers, giving fans more ways to showcase their love for HI-CHEW in-game. The campaign also introduces a creator competition, inviting Fortnite map designers to build their ultimate HI-CHEW experiences. Judged by creators and influencers Birdo, Dagwummy, and ChitaZ, three winners received funding and support to bring their maps to life, which will go live in August and remain playable indefinitely, marking HI-CHEW as the first brand to lead a creator competition within Fortnite. The activation, executed with media agency Carmichael Lynch, extends beyond gameplay with an unlockable site where participants can complete up to 12 in-game and social challenges over 16 weeks to earn points redeemable for entries into a raffle offering digital rewards and physical prizes, including limited-edition merchandise, free candy, and discount codes. With this campaign, HI-CHEW blends playful engagement with fan-driven creativity, positioning itself as a memorable and immersive presence in Fortnite’s world. “Our Fortnite integrations continue to open new doors for fan connection. We are thrilled to work with the Super League team once again to bring HI-CHEW to our growing fanbase in the gaming community, said Teruhiro Kawabe, chief representative for the USA and president, CEO of Morinaga America.  He added, “HI-CHEW is all about creating shareable, joyful moments and this year’s in-game experience demonstrates that same spirit. Our partnership with Fortnite Creative developers allows us to show up in a way that’s playful and unexpectedly fun. We’re proud to keep building connections with fans through different and meaningful ways, meeting them where they are and creating experiences that go beyond the candy aisle.”  In tandem, Matt Edelman, CEO and president at Super League said, HI-CHEW continues to raise the bar for how brands show up in games. Once again, they are proving what can be accomplished by embracing playability. From creator-built maps to unlockable rewards, this year’s program is perfectly designed to drive deep engagement and spark cultural moments.”  HI-CHEW is not the only sweet brand to have entered Fortnite recently. Earlier this year, Mentos took its global campaign into the game with the introduction of the “Fizzooka”, a soda-spraying launcher powered by Mentos. Over two weeks, “Fizzookas” appeared in Fortnite Creative maps, a sandbox mode that allows players to create custom maps and game experiences. Created in collaboration with advertising agency BBH London, the “Fizzooka” adds a fresh, playful twist to the gaming world, inviting players to engage with Mentos on a new playing field. Accelerate your brand’s growth with AI-first strategies, emerging tech and data-driven experiences. Join 500+ marketing leaders at Digital Marketing Asia 2025 Singapore on 24–25 September to uncover transformative trends, real-world wins and powerful ideas for 2025 and beyond.  Related articles:  AirAsia brings ASEAN to Roblox with the launch of AirAsia World    essence levels up its glam game with new Roblox experience    Gaming meets grub: McDonald’s makes foray into the Minecraft world source

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