marketing interactive

Sentosa picks PR agency

Sentosa Development Corporation (Sentosa) has appointed Waggener Edstrom Worlwide Singapore as its public relations agency to support its strategic communications and media engagement efforts. The contract spans an initial period of two years, with the option to extend for a further three years on a yearly renewal basis, bringing the total potential duration to five years. Under the agreement, the agency will be tasked to deliver an integrated suite of communications services. This includes the development and execution of content and communications plans aimed at driving impactful media engagement, alongside advisory and executional support across key public relations functions. Don’t miss: Sentosa evolves brand to inspire wellness and balance with new campaign  The scope of work also covers issues and crisis management, earned media and influencer engagement, stakeholder communications, and the development of thought leadership and corporate profiling initiatives. The agency is also responsible for ongoing account management, including coordination with internal teams and the delivery of consistent reporting and strategic counsel. In addition to retainer-based services, the contract provides for project-based work across campaigns of varying scale. The agency is expected to support both large- and medium-sized campaigns, encompassing end-to-end communications planning, media strategy, and execution. The appointment also includes the provision of annual media training, with full-day sessions designed for Sentosa spokespersons. The appointment comes amid a broader wave of public sector and tourism-related communications pitches in Singapore, as destination and government bodies ramp up efforts to sharpen their global positioning and storytelling. Earlier this year, the Singapore Tourism Board appointed Edelman as its public relations agency following a competitive pitch, tasking the firm with supporting communications and marketing efforts across both always-on activity and high-profile campaigns. Related articles:  Have you seen these giant lobsters on Tanjong Beach?   Mickey and Minnie Mouse join King Mu’s eight steeds in Sentosa’s CNY spectacle  RWS and Sentosa go ‘Wicked’ with islandwide cinematic takeover  source

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Ellerton & Co. elevates leadership trio amid rapid expansion across Asia

Ellerton & Co. Public Relations has unveiled a major leadership evolution as the independent strategic communications and integrated marketing agency accelerates its regional expansion across Greater Southeast Asia and beyond. Founder Oliver Ellerton (pictured left) has stepped into the role of managing partner, while Michael de Waal-Montgomery (pictured centre) and Prayaank Gupta (pictured right) have been promoted to partners. The changes are designed to strengthen executive oversight and create clearer pathways for senior talent to move into leadership positions as the agency scales. The leadership transition comes amid strong growth momentum, with Ellerton & Co. more than doubling year-on-year revenue, driven by multiple retainer wins across Greater Southeast Asia, its entry into India, and the launch of Ellerton Creative Studio. The agency now operates with around 30 consultants across Singapore, Vietnam, Indonesia, the Philippines, Malaysia, Thailand, India, Hong Kong and Japan. Don’t miss: Ellerton & Co. turns its focus on the Philippines with new senior hires Ellerton said the move signals a longer-term commitment to scaling the agency while retaining its boutique positioning. “This is more than a title alignment; it is a commitment to the next decade of Ellerton & Co. With a team of over 30 consultants across Asia, we are in a dynamic phase of conscious growth, upskilling our people, injecting new experiences and skills, and raising our game every single day,” said Ellerton. “By evolving our leadership, we are building on the boutique agility and elite standards we’ve upheld since 2014 and positioning the firm to lead the next chapter of our growth,” he added. Gupta, now partner, highlighted the agency’s commercial and strategic gains over the past two years. This includes expanding both our top line and profitability while elevating the quality of its counsel, talent and results delivery. “In an industry disrupted by AI, we’ve stayed sharply relevant by doubling down on human insight and creative excellence. Our strengthened partner structure positions us to lead complex, multi-market strategies with a level of reach and local expertise that few independent agencies can match,” he said. Meanwhile, Michael de Waal-Montgomery, who leads the firm’s AI initiatives and oversees dedicated AI talent hires, said the evolution is also about embedding innovation into the agency’s growth strategy. “As we scale rapidly, this leadership evolution keeps innovation at the core of everything we do. I am personally driving our AI offerings and building a specialist team of AI hires to fundamentally change how we deliver value and results for clients, blending technology with authentic, human-centred storytelling,” said de Waal-Montgomery. “In an era of exponential noise driven by AI-generated content, brands must work harder than ever to stay relevant and break through. That’s why I am personally preparing for the singularity: to ensure Ellerton & Co. remains not just competitive, but well ahead of the curve for our clients and the industry,” he added. Recent momentum at the agency includes the launch of Ellerton Creative Studio, which focuses on integrated creative, branding and campaign execution.  The new division reflects the agency’s recognition that brand narratives are increasingly consumed across digital and offline touchpoints. According to the agency, the Creative Studio brings creative, content, and digital disciplines under one roof, ensuring consistency and precision from strategy through execution. It will also offer capabilities across branding and identity, multimedia production, digital design and strategy, and advanced copywriting, bridging the gap between PR strategy and creative execution. It also comes alongside geographic expansion into India and strengthened operations across Japan and Southeast Asia. The agency has also secured major client wins, including VFS Global (ASEAN) and Ethiopian Airlines, while expanding its portfolio across DeFi, AI, B2B tech and hospitality sectors. Be part of #Content360 Singapore, 22–23 April 2026, where creativity and culture collide. Explore how AI-driven storytelling is shaping the future of content, gain practical insights, discover new tactics, and learn how the best in Asia are creating campaigns that truly resonate.  Related articles:   Ellerton & Co. nabs new executive director to drive SEA expansion   WPP reportedly explores sale of PR arm Burson  What can advertising re-learn from PR?  source

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Meta gives parents visibility into teens’ AI use as scrutiny grows

Meta is expanding parental controls around its AI tools, giving parents new visibility into how teenagers are interacting with AI across Instagram, Facebook and Messenger. The move comes as platforms face growing scrutiny over how younger users engage with generative AI, particularly around safety, wellbeing and misinformation. Under the update, parents using supervision tools will be able to see the topics their teen has asked Meta AI about over the past seven days, via a new Insights tab rolling out across key markets including Australia. SEE MORE: Meta and YouTube lose key battle in social media addiction trial Topics will be grouped into broad categories such as school, entertainment, lifestyle and health, giving parents a high-level view of how AI is being used without exposing full conversations. Meta said the feature is designed to strike a balance between transparency and privacy, as teens increasingly turn to AI tools for advice, information and everyday queries. The update builds on a broader set of safeguards already in place for teen accounts, including restrictions on age-inappropriate responses and interventions for sensitive topics. The company also confirmed it is developing proactive alerts to notify parents if teens attempt to engage in conversations related to suicide or self-harm, an area of growing concern as AI tools become more embedded in daily life. Beyond product changes, Meta is also leaning into education and oversight. The company has introduced a new AI Wellbeing Expert Council, bringing together specialists in youth safety, mental health and responsible AI to guide the development of its products. It has also rolled out conversation prompts, developed with external experts, to help parents navigate what can often be difficult discussions about AI use. source

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Refinery Media goes all-in on vertical storytelling

Refinery Media is making a full-scale pivot into vertical video, launching a 10-title English-language slate that embeds brand partnerships directly into storylines and leans on AI-enabled production to speed up output and cut costs. The Singapore-based producer said it will roll out seven scripted dramas and three unscripted reality series, all designed natively for the 9:16 format. Five of the titles will be developed for FlareFlow, with releases scheduled from Q2 2026. Across the slate, Shopee and Nippon Paint have signed on as brand partners, signalling a deeper integration model where commercial partnerships are built into the narrative structure rather than layered in post-production. Don’t miss:  IMDA partners SBS on global content co-productions and AI solutions  “We’re not treating brand integration as an add-on,” said Karen Seah, founder and CEO of Refinery Media. “Our approach embeds brand narratives into story architecture from day one, so the integration becomes indistinguishable from the content itself. That’s what we’re bringing to vertical.” The company is also leaning on influencer-led casting to drive reach on mobile-first platforms. It is working with talent and management partners, including Basic Models, to bring digital-first personalities into both scripted and reality formats, a strategy aimed at converting existing social followings into viewership. On the production side, Refinery Media said it is using its in-house virtual production studio X3D Studio, alongside AI-assisted workflows through GENGIS AI. The company claims the setup enables production timelines to be around 20% faster and costs roughly 30% lower compared to traditional vertical production models. The anchor title in the slate is SupermodelMe: Make It or Break It, a vertical reimagining of the long-running reality franchise first launched in 2009. The format has previously earned nominations at the Asia Academy Creative Awards, Asian Television Awards and International Digital Emmy Awards, with its final season distributed on Netflix. Refinery is also debuting three additional Singapore-produced series for FlareFlow, with further titles expected to be announced ahead of the Q2 2026 launch window. The company said its decision to focus on English-language vertical content is designed to address a gap in the market, particularly in Southeast Asia, while also appealing to US audiences where demand for alternatives to Chinese-language vertical dramas is growing. “We’re positioned to serve both markets simultaneously,” Seah said. “That’s not an accident — it reflects 17 years of building content that travels.” The move builds on Refinery’s long-running branded entertainment work, which has previously included integrations for luxury brands such as Chopard and Louis Vuitton across its unscripted formats. It also comes amid a broader push by Singapore producers to scale local storytelling internationally through platform partnerships. Recently, Mediacorp struck its largest pre-sale deal with Netflix, which acquired three premium Singapore drama titles before their free-to-air premieres. The deal includes The Leftovers 幸存者, Chilli Crab Flower Club 辛蟹社 and Durrani – Perjuangan Lion Mum, and reflects growing demand for Singapore-originated content across Southeast Asia and beyond. Related articles: Mediacorp grows regional strategy with TVBS co-production partnership Mediacorp partners Mastercard to link ads to real-world purchases  StarHub and Mediacorp join forces to create stronger content and ad opportunities   source

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Godiva turns 100 with reimagined signature chocolates and packaging

In celebration of its 100th anniversary, Belgian chocolate maker Godiva has unveiled a themed collection and invites chocolate lovers to take part in the celebration. As a brand founded in 1926, Godiva marks its centennial this year and enters a new era by reimagining its iconic chocolate collections with new designs, flavours, recipes, and storytelling — celebrating its Belgian heritage, elevating its craftsmanship, and highlighting its role as the official chocolatier to the Royal Court of Belgium. Godiva celebrates its centennial with blush pink packaging, which symbolises the brand’s joy, elegance, and lasting sweetness. The centennial chocolate gift box contains 10 pieces, each capturing key moments and treasured memories from the brand’s history. It combines a century of craftsmanship with modern design, creating a timeless blend of heritage and innovation. The design draws from founders Pierre and Eugénie Draps, who chose Lady Godiva as their muse. Since then, the brand has embodied elegance, creativity, and courage — values that inspire GODIVA in its second century. For its centennial, GODIVA blends tradition with creativity to delight chocolate lovers worldwide with every piece. The gift box includes two special chocolates. Lady Noir features white chocolate ganache with Madagascan vanilla in a dark shell. Topped with the Lady Godiva imprint, it honours the Draps family’s 1926 craftsmanship. G-Mirror Noir offers apple ganache in a 50% cacao dark shell, inspired by “Snow White.” Together, they create a magical flavour experience. Furthermore, while GODIVA’s made-fresh-in-store soft serve and shakes have long been fan favourites, the brand has now created three new refreshing versions for its 100th anniversary. Featuring signature cocoa paired with bright, tangy raspberry, they deliver a fresh-tasting experience that showcases GODIVA’s creativity. To further engage chocolate lovers, GODIVA is offering a limited-time promotion. Customers who spend HK$380 or more in a single net purchase will receive a free GODIVA centennial plush keychain blind box. Don’t miss: Godiva HK concludes PR pitch These limited-edition keychains come in three unique designs, each representing GODIVA’s century-long legacy: a heart-shaped white chocolate, a shell-shaped milk chocolate, and a round filled chocolate. Each one has a smiling face, plus little hands and legs. The keychains are available in blind boxes, while supplies last, on a first-come, first-served basis. MARKETING-INTERACTIVE has reached out to GODIVA for more information. Mark your calendars for 24 June! #Content360 Hong Kong returns with a dynamic, one-day event dedicated to pivotal trends—from the silver economies to breakthrough IP collaborations, sports, and beyond. Let’s dive into the art of curating content with creativity, critical thinking and confidence! Related articles: Godiva HK concludes PR pitchGodiva MY’s sentiments plummet after posts by Ruhainies triggers calls for boycottChris Evans lands starring role in Godiva’s new marketing campaign source

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Why Samsung is betting on experience over specs to win over switchers

For many smartphone users, switching ecosystems can feel like a leap into the unknown. New interfaces, new apps, unfamiliar features — these are all hurdles that make even the most interested users hesitate. Samsung Singapore is tackling that challenge head-on with its Easy Mode Club, a 26-day “try before you switch” programme that pairs a flagship trial with community support to chip away at ecosystem lock-in. “The Galaxy S26 Series generated exceptional early demand, with pre-order numbers surpassing previous records, marking a double-digit increase,” said Lynn Chong, head of marketing, Samsung Electronics Singapore in conversation with MARKETING-INTERACTIVE. “However, we realised that even though many people are very interested in a Galaxy device, ecosystem lock-in can make switching feel daunting.” To tackle what she calls “switching anxiety”, Samsung created the Easy Mode Club, inviting 126 participants who were chosen for their curiosity, adventurousness, or past hesitation to explore the Galaxy S26 Ultra hands-on. The goal is to offer a low-risk, high-support way to live with the phone and see if it fits into their daily routines. Don’t miss: Samsung strikes BTS tour deal to put Galaxy at centre of fan experience  Unlike traditional campaigns that focus on awareness or short, controlled experiential stints, the Easy Mode Club immerses participants in the Galaxy experience over nearly a month. Users can experiment with the S26 Ultra’s enhanced camera for photos and videos, explore editing tools, try AI-driven productivity features or put its gaming capabilities to the test. Early testimonials suggest the programme is doing its job: what once felt intimidating about switching now feels approachable, even exciting. The initiative also reflects a shift in Samsung’s marketing philosophy. “It’s easy to list specs, but tougher to influence purchase decisions, especially in the premium mobile phone category where decisions tend to be habitual,” Chong explained. The programme turns spec claims into personal proof. Instead of being passive, Samsung is inviting consumers to become ‘explorers’ of a new device, and form a positive feedback loop by engaging with the brand and fellow programme participants. Community is a key part of that loop. Participants can interact on a dedicated hub on Reddit and Samsung’s Singapore website, sharing tips and experiences across content creation, gaming and productivity. This is reinforced by #TeamGalaxy-led sessions, where creators including KOLs @qir0ng and @kayleytan share their own tips from hidden camera features to AI-powered productivity hacks to help users get the most out of their devices. Chong said the number of participants and the trial length were deliberately chosen. “The 26-day trial and 126 participants were a nod to the Galaxy S26 Ultra namesake,” she said. “We also wanted to keep the community manageable so we could provide the right level of support, and 26 days is enough time to migrate ecosystems, build habits and form opinions.” Samsung is treating the programme as more than a test run. It’s also a way to watch, in real time, how consumers fall in love with Galaxy, and where they get stuck. Furthermore, participant engagement and feedback highlight the friction points of switching and the features that resonate most. “If we get the community-building and engagement right, then conversions will follow naturally because participants feel heard and supported, not just sold to,” Chong said. In a crowded smartphone market, Chong believes this “try before you buy” model for a flagship device helps it stand out: You can buy awareness, and to a certain extent consideration, but what you can’t buy is loyalty. That’s something you have to earn. “We think we’re doing that with the Easy Mode Club by turning the curious but hesitant into potential Galaxy fans.” she added.  The programme will run until the end of April 2026. Prior to the Easy Mode Club, Samsung Singapore rolled out a comic book to make Galaxy devices and its AI features feel approachable for consumers of all ages. The comic book, titled, Uncle & Aunty get smart(phone), spotlights the “Awesome Intelligence” of the latest Galaxy A Series through hyper-local, everyday stories. The series follows Uncle Awesome as he introduces fellow hawker centre regular Uncle Tan to Galaxy A capabilities, including how features such as ‘Circle to Search’ can instantly identify things such as a bird species spotted nearby. Designed for value-seeking consumers who are curious about AI, the project aimed to educate and contextualise AI on Galaxy devices in a simple, relatable way, reducing the perception that AI is complex or intimidating. Developed fully in-house by designer Eugene Lim and writer Jacelyn Ho, the comic was released in September last year and was available at Samsung Experience Stores and major consumer electronics retailers including Challenger, Courts, Gain City, Best Denki and Harvey Norman.  Be part of #Content360 Singapore, 22–23 April 2026, where creativity and culture collide. Explore how AI-driven storytelling is shaping the future of content, gain practical insights, discover new tactics, and learn how the best in Asia are creating campaigns that truly resonate.  Related articles:   Samsung celebrates childhood imagination in heartfelt Galaxy S26 film   Samsung and HK director Soi Cheang collaborate to define what makes a great film Samsung SG turns everyday talents into a flex with Gen Z-focused push   source

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WPP launches WPP Commerce to centralise commerce offering

WPP has launched a new Commerce Practice designed to unify the company’s commerce capabilities – including creative commerce, commerce media, shopper marketing, and content – across the entire organisation. Described as a “transversal, connective capability,” the practice operates across WPP’s existing agencies and operating units without disrupting current structures. Talent remains within their original agencies and reporting lines, while dedicated practice leadership provides strategic direction and fosters collaboration. The initiative emphasises connection over consolidation: there will be no new operating unit and no structural changes to existing agencies. Under the new framework, Brent Taylor, formerly CEO of WPP retail marketing agency Barrows, has been appointed global CEO of WPP Commerce. Additionally, Samantha Bukowski has been named global president of both WPP Commerce and WPP Media. Manuel Bordé, VML’s global chief creative officer, will take on the dual role of WPP Commerce practice creative leader and VML global commerce creative leader. The restructuring aims to bring WPP’s commerce capabilities into a single unit spanning four core areas of the business: media, creativity, enterprise solutions and production, according to Adweek. Don’t miss: Can Cindy Rose transform WPP? Industry leaders weigh in The move arrives as commerce represents a high-growth opportunity for WPP’s clients. WPP Media’s This Year Next Year report projects that global commerce advertising revenue will reach US$178.2 billion in 2025, surpassing total TV ad revenue for the first time. WPP’s commerce capabilities are already industry-recognised through awards and endorsements from research and advisory firms such as Gartner and Forrester. Notably, WPP earned the highest possible scores across all 12 criteria in The Forrester Wave: Commerce Services, Q1 2026 report. The new practice model allows WPP to connect world-class talent across the organisation to address client opportunities and build on this momentum at pace. The approach builds on the proven success of WPP’s Government & Public Sector Practice. Mark your calendars for 24 June! #Content360 Hong Kong returns with a dynamic, one-day event dedicated to pivotal trends—from the silver economies to breakthrough IP collaborations, sports, and beyond. Let’s dive into the art of curating content with creativity, critical thinking and confidence! Related articles:Cindy Rose to succeed Mark Read as WPP CEOCan Cindy Rose transform WPP? Industry leaders weigh inCindy Rose reshapes WPP leadership, Ogilvy handed to Ezekiel in global revamp source

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Content360: How CHAGEE replaces traditional media with content ecosystems

At this year’s Content360 Singapore 2026, a clear provocation cut through the noise of performance metrics and platform tactics: what if the next global beverage giant isn’t built on traditional media muscle – but on cultural infrastructure? That question anchored a session by Eugene Lee, APAC CMO at CHAGEE, who outlined how the eight-year-old brand is attempting something far more ambitious than expansion – rewiring how tea is perceived, consumed, and lived. “Tea is the second most consumed beverage in the world after water,” Lee said. “But it hasn’t seen the same lifestyle elevation that coffee has.” The gap, for CHAGEE, is not product – it is positioning. And its strategy is to rebuild tea not as a drink, but as a cultural system. The brand’s rapid rise – now at 8,000 stores globally – has less to do with the liquid itself than with what Lee calls “everything surrounding the cup.” Don’t miss: In conversation: How tech is powering a global tea brand Building a brand beyond the beverage From premium packaging and service guarantees to architectural retail and brand collaborations, the company has engineered a layered experience designed to elevate tea into a lifestyle marker. This includes a service promise rarely seen even in premium categories: “If you’re not happy, we will remake it for you.” It extends to store design, where tea is repositioned from a transactional, grab-and-go product into a “third space” experience – closer to lifestyle hospitality than traditional F&B. The implication is strategic: CHAGEE is not competing with tea brands, but with the cultural dominance of coffee chains. Perhaps the most striking divergence from conventional brand-building lies in CHAGEE’s media philosophy. “We don’t do any traditional media. No TV. No YouTube,” Lee said. “All we do is social media and content marketing.” For a marketer who spent over 15 years at McDonald’s, the shift reflects a broader recalibration: from reach to resonance. Instead of buying attention, CHAGEE builds it through community ecosystems – hosting events from arts and crafts workshops to Pilates sessions and pet fashion shows. These are not activations for visibility, but for depth. We are not trying to just do transactions. We want to go very deep with the communities that we’re with. Content, in this model, becomes an output of lived experiences, not a top-down campaign asset. The brand’s social strategy is also rigorously platform-native – eschewing repurposed content in favour of tailored formats across Instagram, TikTok and Facebook. Technology as a bridge, localisation as interpretation While many modern brands position technology as a disruptor, CHAGEE frames it as a preserver. “Technology is honouring the heritage,” Lee said, referencing the precise brewing requirements of different tea types. Automated systems ensure temperature and timing accuracy, delivering consistency at scale without compromising tradition. This extends to operations. Each order is encoded via QR, enabling exact replication of customer preferences, while reducing preparation time to seconds. The result is not just efficiency, but standardisation – ensuring that “the first cup to the 2000th cup tastes exactly the same.” If CHAGEE’s ambition is global, its execution is deliberately local – though not in the conventional sense. “Localisation is not popping the copy into Google Translate,” Lee said. “It’s understanding the essence and going deep.” The brand operates on three pillars – culture, wellbeing, and connection – but interprets them differently across markets. In Singapore, wellbeing manifests as physical fitness; in Malaysia, as healthier consumption choices; in South Korea, as mental relaxation. Even product positioning shifts. Lemon tea, for instance, is marketed as a mass, functional drink in Indonesia, but as a premium, aspirational product in the Philippines due to differences in ingredient accessibility and perception. The takeaway is clear: scalability does not come from uniformity, but from disciplined nuance. Expansion at speed, but not at uniformity CHAGEE’s pace – launching across Indonesia, Thailand, Vietnam and the Philippines within a year – suggests a replicable model. Yet Lee frames it as an 80/20 balance. “80% is what we know works, the other 20% you have to localise.” This duality extends to market entry. In Singapore, the brand exited and re-entered after reassessing its franchise-led approach, shifting towards owned operations to control experience and positioning. The lesson is less about speed, and more about control: in a category where perception defines value, execution cannot be outsourced. Ultimately, CHAGEE’s strategy is generational. “Coffee today was built by the Millennials. With tea, it’s winning the next generation,” Lee said. That requires more than product innovation. It demands cultural relevance – embedding the brand into how Gen Z socialises, relaxes and expresses identity. It also requires restraint. While CHAGEE embraces trendiness, it resists becoming a trend. “We want to be a trendy brand, but we don’t want to be a trend that fades once its time passes.” A category, not just a brand As CHAGEE prepares to enter markets such as South Korea – where tea consumption is negligible compared to coffee – it faces a different challenge: building not just brand awareness, but category relevance. In doing so, it echoes the playbook that once transformed coffee into a global lifestyle – only this time, powered by content ecosystems, community engagement and precision technology. Or, as Lee framed it through the Chinese character for “cha”: tea is “grass, humans and trees”. CHAGEE’s bet is that, in a world moving faster than ever, what scales is content that brings people back to the space between people and nature. Be part of #Content360 Malaysia, 13 May 2026, where creativity and community collide. Explore how AI-powered imagination, culturally resonant storytelling, and platform-savvy strategies are shaping the future of content. Gain practical insights, discover new tactics, and learn how the region’s top creators and brands are crafting campaigns that truly resonate. Related articles:CHAGEE steps beyond Jakarta with Bali debut and Southeast Asia-first beach conceptCHAGEE taps ex-foodpanda APAC VP of comms and public affairs to drive brand narrativeCHAGEE ventures into South Korea as part of regional expansion source

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Singtel’s 'Singapore Dreamin' clinches overall title at the inaugural Content360 Awards

“Singapore dreamin’” by Singtel emerged as the standout campaign at MARKETING-INTERACTIVE’s inaugural Content360 Awards, clinching the coveted C360 Content of the Year title. Delivered in partnership with SPH Content Lab, the campaign also secured an impressive haul of two Golds and one Silver across ‘Excellence in B2B Content Strategy’, ‘Mastery in Long-Form Video Storytelling’ and ‘Best Integrated Campaign’. Hot on its heels in second place was “For the love of taste: Breaking Singapore’s salt obsession” by the Health Promotion Board. Created in collaboration with Starcom Singapore, the campaign earned two Gold trophies in ‘Content for Change: Driving Social Good’ and ‘Best Integrated Campaign’. Rounding out the top three, Citibank’s “Citi Cards privileges campaign”, developed with PMCI and Spark Foundry, and the Infocomm Media Development Authority’s (IMDA) “Digital for life”, in partnership with Type A, tied for third place. Both campaigns secured one Gold and one Silver trophy each. Other standout entries included Singtel’s “Don’t leave it up to luck”, “The gallery institutional campaign”, “Where chefs eat”, “HPB – Don’t toy with your life” and “Be greater – PSA”. Together, they underscored Content360’s role in championing content that not only captures attention but also drives meaningful engagement and real-world impact across platforms. To see the full list of winners, click here. Evaluated by a distinguished jury of 15 senior marketing leaders from leading brands and agencies, this year’s awards spotlighted content that is redefining the craft. Judges praised not only the creativity on display, but also the tangible results achieved, alongside campaigns that struck an emotional chord and resonated deeply with audiences. Winners were announced at an awards reception held on 22 April at Shangri-La Singapore, where top honours were presented across 10 categories celebrating the very best in Singapore’s content marketing landscape. MARKETING-INTERACTIVE congratulates all this year’s winners for raising the bar in content excellence, and looks forward to an even more dynamic showcase of creativity and impact at the second edition next year. source

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Starbucks brews ‘Devil Wears Prada 2’ character-inspired drink collection

With 20th Century Studios’ highly anticipated movie The Devil Wears Prada 2 hitting theatres on 1 May, Starbucks has teamed up with the film to launch four new drinks, each inspired by one of the movie’s iconic characters. Designed to add a touch of movie magic to customers’ daily coffee routine, this partnership builds on Starbucks’ earlier “It’s all good energy” collaboration with Adrian Grenier.  Now, Starbucks and The Devil Wears Prada 2 are keeping the excitement going with this special themed menu. From Andy’s famous coffee runs to the unforgettable characters that defined a generation, this collaboration celebrates both Starbucks and the film’s lasting place in pop culture. Beginning 20 April, customers can discover four character-inspired customisations in the Starbucks app, each a flavourful reflection of the personalities fans have loved in the “The Devil Wears Prada” universe.  The themed secret menu includes “Miranda’s signature order”: a no-foam, extra-shot, extra-hot nonfat latte — because anything less would raise questions. Then there’s “Andy’s cappuccino”: an oatmilk cappuccino with caramel and cinnamon, simple yet elevated, caught between who she was and who she’s becoming. “Nigel’s go-to doppio” is a doppio espresso con panna with mocha sauce — bold and refined. And finally, “Emily’s fave iced chai”: an iced chai latte with almond milk and sugar-free caramel, a bit fussy, meant to be enjoyed at a slow pace… or not. The secret menu beverages are part of Starbucks’ broader collaboration with “The Devil Wears Prada 2,” which will also feature the brand in the film. Starting 24 April, the Starbucks Reserve location in New York City’s Empire State Building will offer copies of the limited-edition promotional Runway Magazine, the movie’s signature publication, giving fans an additional way to step inside “The Devil Wears Prada” universe.  The beverages will be available for a limited time in participating Starbucks coffeehouses around the world. In China, Starbucks and “The Devil Wears Prada” fans will also have access to limited-edition cups, phone, charms, bag accessories and more featuring iconic motifs from the film. “Starbucks has been part of The Devil Wears Prada universe since the original film,” said Erin Silvoy, senior vice president of global marketing at Starbucks. “We’re excited to bring that connection to life again, giving fans a way to step into the moment – starting with their daily coffee. From first sip to final scene, Starbucks invites customers to dress up, order up, and attend fashion’s biggest event of the year: The Devil Wears Prada 2 in theatres 1 May.” Lylle Breier, EVP, partnerships, promotions, synergy and events at Disney, said: “It’s all good energy with Starbucks and our new movie, ‘The Devil Wears Prada 2,’” said Lylle Breier, EVP, partnerships, promotions, synergy and events at Disney. “We are thrilled to be collaborating in such a big way with Starbucks on a bold, clever, and thematic global program designed to delight fans around the world.”  MARKETING-INTERACTIVE has reached out to Starbucks for more information.  Don’t miss: Starbucks brews magic with Harry Potter partnership Back in March, Starbucks turned everyday coffee runs into wizarding adventures with its partnership with Warner Bros. Discovery Global Consumer Products. The partnership launches across 12 Asia Pacific markets from 23 March, combining themed beverages, merchandise and in-store experiences to drive engagement and fan connection. The collaboration leverages the cultural power of the Harry Potter franchise to strengthen Starbucks’ experiential marketing. At the heart of the campaign are three ‘Honeydukes bursting bonbons’ beverages crafted with vanilla notes and honey bergamot flavoured bubble bursts that pop with citrusy brightness. Mark your calendars for 24 June! #Content360 Hong Kong returns with a dynamic, one-day event dedicated to pivotal trends—from the silver economies to breakthrough IP collaborations, sports, and beyond. Let’s dive into the art of curating content with creativity, critical thinking and confidence! Related articles: How local creators are powering Starbucks Malaysia’s latest brand playStarbucks brews magic with Harry Potter partnershipWhy Starbucks Singapore is dressing up its Bearista in a Kebaya source

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